![]() If the signal is correctly pitched, no change is made, but if the pitching is out, a clever pitch‑change algorithm increases or decreases the pitch to match the selected MIDI note or the nearest note in the currently selected scale. The ATR1 works by tracking the pitch of a monophonic voice or instrument up to a maximum pitch of C6 and then comparing the measured pitch with an input MIDI note (either from a keyboard or sequencer), a preset scale or a scale set up by the user. The device reviewed here is a single‑channel hardware box running a real‑time version of Antares' automatic pitch‑correction algorithm. The program I reviewed had two basic modes of operation: an automatic mode that corrected a monophonic vocal line to the nearest notes in a user‑definable scale, and a graphical mode that allowed surgically precise corrections to be made to individual syllables via a graphical interface. At the time it was only available for Pro Tools TDM systems, but has since been made available both as a Cubase VST plug‑in and as a stand‑alone product. Paul White tries out something that he wishes had been available back in his intensive gigging days - a box that automatically puts your vocals in tune in real time!īack in the August 1997 issue of SOS, I reviewed an impressive piece of software by Antares called Autotune designed to correct imperfectly pitched vocals.
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